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If It Bleeds
News people have a saying: 'If it bleeds, it leads'. And a bomb at Albert Macready Middle School is guaranteed to lead any bulletin. Holly Gibney of the Finders Keepers detective agency is working on the case of a missing dog - and on her own need to be more assertive - when she sees the footage on TV. But when she tunes in again, to the late-night report, she realises something is not quite right about the correspondent who was first on the scene. So begins 'If It Bleeds', a stand-alone sequel to the No. 1 bestselling THE OUTSIDER featuring the incomparable Holly on her first solo case - and also the riveting title story in Stephen King's brilliant new collection. Dancing alongside are three more wonderful long stories from this 'formidably versatile author' (The Sunday Times) - 'Mr Harrigan's Phone', 'The Life of Chuck' and 'Rat'. All four display the richness of King's storytelling with grace, humour, horror and breathtaking suspense. A fascinating Author's Note gives us a wonderful insight into the origin of each story and the writer's unparalleled imagination.
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Song Of Draupadi
The Mahabharat is renowned for its great battles, heroic men, and gods walking the pathways of mortals. However, the beating heart of the epic is often forgotten—the stories of its women. Many of these exceptional women appear in Song of Draupadi—the indomitable Satyavati, the otherworldly Ganga, the indestructible Kunti, and the tenacious Gandhari—but the passionate and fiery Draupadi rises above them all to grip the imagination of the reader. Born of a dangerous sacrifice, Draupadi and her brother Drishtadumna are called forth to avenge Drona’s insult to their father. While Drishtadumna is expected to kill Drona on the battlefield, Draupadi’s role is not set out, but she dreams of fire and blood. From beloved daughter and princess of Panchala to wife of the brave Pandavas and queen of Indraprastha, Draupadi finds herself exiled to the forest, humiliated and determined on vengeance. The novel is a symphony, in several keys, of her voice and those of the other women around her—arguing, pleading, reasoning, and often raised in righteous anger.
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Mapping Love
Here I am, living my life looking at the rear-view mirror, driving to the end of the beginning of where I started. My body still hurts. It has been some time since Oorja Chaturvedi has come home; but the wounds she suffered, at the hands of the very people who so aptly named her, cut deep. Her relationship with her father was barely strung together with a few words. But when her mother dies, the woman whose nagging love was both her comfort and her secret hiding place from the world, new grief melds with old bitterness. Reeling from the loss, Oorja decides to come back to India, only to find her estranged father missing. Her search leads her to her grandfather, a man who had lived all his life among books and forest, withering away in his house. As she tries to grapple with her grief for a dying grandfather, she unexpectedly finds love and solace in the arms of a man who inherits her grandfather’s estate. But before she can decide what Anang and her own future together hold, Oorja must first untangle the secrets of their shared past. A quiet gut-punch of a debut, acclaimed filmmaker Ashwiny Iyer Tiwari’s novel, Mapping Love is heartbreakingly brave and equally delicate. It is a story that digs its claws into you and doesn't let go, long after you've finished it.
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The Stranger In The Mirror
The Stranger in the Mirror is the memoir of the legendary producer-director, Rakeysh Omprakash Mehra. Co-written by noted marketer-author, Reeta Ramamurthy Gupta, this book chronicles the richly experiential, multi-faceted life of one of India’s most celebrated and feted directors who has made critically acclaimed films like Rang De Basanti, Delhi-6 and Bhaag Milkha Bhaag. Though it may seem natural for an autobiography to have a primary narrator, what makes this book truly unique is its many narrators. It is this multi-dimensional, multi-character narration that will enable readers to delve deep and truly understand what it means to be as unselfish as Mehra, a man who gleefully steps back and lets the experts do their job. Peppered with anecdotes from Mehra’s life—from the chai-biscuit college days to the popping of the proverbial champagne—it implores readers to pay attention to understand who is narrating, because the plot may have just shifted a little bit, just like his movies. At the end, what really stands out is how effortless the journey has actually been. And herein lies the greatest paradox because there is no lack of perseverance in this journey. The miraculous manner in which things fall into place naturally, like pieces of a pre-ordained puzzle with the universe acting as the ‘sutradhar’, is the fulcrum around which the joy of this remarkable journey is built.